Label |
S |
Musiktitel |
Play |
St |
T.-Stil |
Interpret |
Ps |
Begleitung |
Jahr |
Zeit |
Aufn.-Ort |
Aufn.-Dat. |
Vö.-Dat. |
Matrize |
Verweis |
GEMA-Nr. |
CAE/IPI |
Art.-Nr./EAN |
EAN/Art.-Nr |
Label 2 |
Musik: = Komponist, Text: = Texter |
Chart |
Bemerkung |
Musiker |
Quelle |
Seite |
O |
King 15000 |
A |
Pal-ing Around With You |
|
V |
|
Carlyle, Louise |
|
Satisfiers Foursome, The |
1949 |
|
New York City |
06.03.1949 |
|
K-6000 |
|
|
|
|
|
|
|
|
|
|
KL_1 |
0177 |
|
King 15000 |
B |
Why Should I Worry |
|
V |
|
Carlyle, Louise |
|
Satisfiers Foursome, The |
1949 |
|
New York City |
06.03.1949 |
|
K-6001 |
|
|
|
|
|
|
|
|
|
|
KL_1 |
0177 |
|
King 15001 |
|
Egg Or The Hen, The |
|
|
|
Satisfiers Foursome, The |
|
|
1949 |
|
New York City |
12.03.1949 |
|
K-6004 |
|
|
|
|
|
|
|
|
|
|
KL_1 |
0177 |
|
King 15001 |
|
Jean |
|
|
|
Satisfiers Foursome, The |
|
|
1949 |
|
New York City |
12.03.1949 |
|
K-6007 |
|
|
|
|
|
|
|
|
|
|
KL_1 |
0177 |
|
King 15002 |
A |
(As Long As We've Got Water) We'll Have Soup |
|
|
|
Fisher, Freddie |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15002 |
B |
Schnickel-bop |
|
|
|
Fisher, Freddie |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15003 |
|
Knowledge |
|
I |
|
Williams, Mary Lou |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15003 |
A |
Oo-bla-dee |
|
I |
|
Williams, Mary Lou |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15004 |
|
Cabaret |
|
|
|
Grant, Al & Carlisle, Louise |
|
|
1949 |
|
|
|
|
K-6020 |
|
|
|
|
|
|
Musik: Russell/Cowan |
|
|
|
Billboard Magazine |
|
|
King 15004 |
A |
September Song |
➧ |
V |
|
Bostic, Earl & His Orchestra feat. Terrell, Clyde |
|
|
1951 |
3:04 |
New York City |
01.10.1951 |
|
K-9005 |
|
868320 |
00125403314 |
|
|
|
Musik: Weill, Kurt/Text: Anderson, Maxwell |
|
|
|
KL_1 |
0245 |
COVER. Original filtern. |
King 15004 |
A |
I Do, I Do, I Do |
|
|
|
Grant, Al & Carlisle, Louise |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15004 |
B |
Harlem Nocturne |
➧ |
I |
|
Bostic, Earl & His Orchestra |
|
|
1956 |
2:21 |
Los Angeles |
23.04.1956 |
|
K-9756-1 |
|
518744 |
00495559103 |
|
|
King 6254 |
Musik: Hagen, Earle/Text: Rogers, Dick |
|
|
|
KL_1 |
0281 |
COVER. Original filtern. |
King 15005 |
|
This Day Is Mine |
|
|
|
Grant, Al |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15005 |
|
Lover's Gold |
|
|
|
Grant, Al |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15006 |
|
Sirouis |
|
|
|
Merian, Leon & His Orchestra |
|
|
1949 |
|
|
|
|
K-6026=1 |
|
|
|
|
|
|
Musik: Merian, Leon |
|
|
|
Billboard Magazine |
|
|
King 15006 |
|
First Love |
|
|
|
Merian, Leon & His Orchestra |
|
|
1949 |
|
|
|
|
K-6027=1 |
|
|
|
|
|
|
Musik: Razaf/Reyes/King |
|
|
|
Billboard Magazine |
|
|
King 15007 |
|
Old Rusty Trunk |
|
V |
|
Carlyle, Louise |
|
Satisfiers Foursome, The |
1949 |
|
New York City |
06.03.1949 |
|
K-6002 |
|
|
|
|
|
|
|
|
|
|
KL_1 |
0177 |
|
King 15007 |
B |
Stargazer |
|
|
|
Carlyle, Louise |
|
Satisfiers Foursome, The |
1949 |
|
New York City |
06.03.1949 |
|
K-6003 |
|
|
|
|
|
|
|
|
|
|
KL_1 |
0177 |
|
King 15008 |
|
This Is The Last Time I'll Cry Over You |
|
|
|
Lucas, Carroll & His Orchestra |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15008 |
A |
Parade Of The Wooden Soldiers Polka |
|
|
|
Lucas, Carroll & His Orchestra |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15009 |
|
Oleo |
|
|
|
Fisher, Freddie |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15009 |
|
Dixie Lament |
|
|
|
Fisher, Freddie |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15010 |
A |
Oleo |
|
V |
|
Marshall, Jack |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15010 |
B |
We're Going To See A Man |
|
V |
|
Marshall, Jack |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15011 |
A |
Peach Pie |
|
|
|
Satisfiers Foursome, The |
|
|
1949 |
|
New York City |
12.03.1949 |
|
K-6006 |
|
|
|
|
|
|
|
|
|
|
KL_1 |
0177 |
|
King 15011 |
B |
You're Losing A Sweetheart Not A Friend |
|
|
|
Satisfiers Foursome, The |
|
|
1949 |
|
New York City |
12.03.1949 |
|
K-6005 |
|
|
|
|
|
|
|
|
|
|
KL_1 |
0177 |
|
King 15012 |
A |
Signed, Sealed And Delivered |
|
V |
|
Long, Johnny & His Orchestra feat. Brace, Janet |
|
|
1949 |
|
|
|
|
K-6043=2CS |
|
|
|
|
|
|
Musik: Mann/Copas |
|
|
|
KL_1 |
0179 |
|
King 15012 |
B |
All The Bees Are Buzzin' 'round My Honey |
|
V |
|
Long, Johnny & His Orchestra feat. Brace, Janet |
|
|
1949 |
|
|
|
|
K-6044=1CS |
|
|
|
|
|
|
Musik: Bergman/Wise/Leeds |
|
|
|
KL_1 |
0179 |
|
King 15013 |
A |
Tisherome |
➧ |
I |
|
Williams, Mary Lou |
|
|
1949 |
4:07 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15013 |
B |
Shorty Dog |
|
I |
|
Williams, Mary Lou |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15014 |
A |
Oh! You Beautiful Doll |
|
V |
|
Homer & Jethro |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15014 |
B |
Gotta See Mama Every Night |
|
V |
|
Homer & Jethro |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15015 |
A |
I Married A Man (With Nothing At All) |
|
|
|
Fisher, Freddie |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15015 |
B |
Dixieland Umpta |
|
|
|
Fisher, Freddie |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15016 |
|
I Thought I Was Dreaming |
|
|
|
Grant, Al |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15016 |
|
I've Got A Frame Without A Picture |
|
|
|
Grant, Al |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15017 |
|
Heart Of My Heart |
|
|
|
Sister Slocum |
|
|
1949 |
|
New York City |
16.08.1949 |
|
K-6056 |
|
|
|
|
|
Vogue V 3088 |
|
|
|
|
KL_1 |
0179 |
|
King 15017 |
A |
Oh By Jingo |
|
|
|
Sister Slocum & Block, Wood |
|
|
1949 |
|
New York City |
16.08.1949 |
|
K-6057 |
|
|
|
|
|
Vogue V 3018 |
Musik: Tilzer, Albert von/Text: Brown, Lew |
|
|
|
KL_1 |
0179 |
COVER. Original filtern. |
King 15018 |
|
We'll Build A Bungalow |
➧ |
V |
|
Long, Johnny & His Orchestra |
|
|
1949 |
2:17 |
Cincinnati |
07.08.1949 |
|
K-6063 |
|
|
|
| Deezer |
Parlophone 4048 |
Musik: Mayham, Norridge/Text: Mayham, Betty |
21.01.1950 |
|
|
KL_1 |
0179 |
|
King 15018 |
A |
Skirts |
|
V |
|
Long, Johnny & His Orchestra feat. Brace, Janet |
|
|
1949 |
|
|
|
|
K-6045 |
|
|
|
|
|
Vogue V 9015 |
Musik: Roberts/Randall |
|
|
|
KL_1 |
0179 |
|
King 15019 |
|
Goodbye My Love |
|
|
|
Grant, Al |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15019 |
|
Lovebirds |
|
|
|
Grant, Al |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15020 |
A |
Black And White Rag |
|
|
|
Sister Slocum & Block, Wood |
|
|
1949 |
|
New York City |
16.08.1949 |
|
K-6051 |
|
|
|
|
|
Vogue V 3015 |
|
|
|
|
KL_1 |
0179 |
|
King 15020 |
B |
I Ain't Got Nobody |
|
|
|
Sister Slocum & Block, Wood |
|
|
1949 |
|
New York City |
16.08.1949 |
|
K-6053 |
|
|
|
|
|
Vogue V 3015 |
|
|
|
|
KL_1 |
0179 |
|
King 15021 |
A |
Wise Old Owl, The |
|
|
|
Lucas, Carroll |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15021 |
B |
If You Were Mine |
|
|
|
Lucas, Carroll |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15022 |
A |
If You Had More Time To Be Mean |
|
|
|
Wright, Ruby |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15022 |
B |
Ragged But Right |
|
|
|
Wright, Ruby |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15023 |
|
I've Got Rings On My Fingers |
|
|
|
Sister Slocum |
|
|
1949 |
|
New York City |
16.08.1949 |
|
K-6052 |
|
|
|
|
|
Vogue V 3088 |
|
|
|
|
KL_1 |
0179 |
|
King 15023 |
|
Bye Bye Blues |
|
|
|
Sister Slocum |
|
|
1949 |
|
New York City |
16.08.1949 |
|
K-6055 |
|
|
|
|
|
Vogue V 3017 |
|
|
|
|
KL_1 |
0179 |
|
King 15024 |
|
I Wake Up Every Morning With A Heartache |
|
|
|
Rogers, Lenny |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15024 |
|
Just In Time |
|
|
|
Rogers, Lenny |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15024 |
B |
In Time |
|
|
|
Lenny Rogers Quintet |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15025 |
A |
I Love Jeemy |
|
|
|
DeMarco Sisters, The |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15025 |
B |
That's Okay |
|
|
|
DeMarco Sisters, The |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15026 |
A |
Avalon |
|
|
|
Sister Slocum & Block, Wood |
|
|
1949 |
|
New York City |
16.08.1949 |
|
K-6054 |
|
|
|
|
|
Vogue V 3017 |
|
|
|
|
KL_1 |
0179 |
|
King 15026 |
B |
Ja-Da |
|
|
|
Sister Slocum & Block, Wood |
|
|
1949 |
|
New York City |
16.08.1949 |
|
K-6058 |
|
|
|
|
|
Vogue V 3028 |
|
|
|
|
KL_1 |
0179 |
|
King 15027 |
A |
Concerto In B Flat Minor |
|
|
|
Jordan, Bill & Elliott, David |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15027 |
B |
Ritual Fire Dance |
|
|
|
Jordan, Bill & Elliott, David |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15028 |
A |
Concerto In A Minor |
|
|
|
Jordan, Bill & Elliott, David |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15028 |
B |
Turkish March |
|
I |
|
Jordan, Bill & Elliott, David |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15029 |
A |
Scheherazade Suite |
|
|
|
Jordan, Bill & Elliott, David |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15029 |
B |
Warsaw Concerto |
|
|
|
Jordan, Bill & Elliott, David |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15030 |
B |
All The Way Choo Choo |
|
|
|
Longshots & Janet Brace |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
Musik: Beebe/Campbell |
|
|
|
The Online Discographical Project |
|
|
King 15030 |
B |
University Of North Carolina Medley |
|
|
|
Long, Johnny |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15031 |
A |
Row, Row, Row |
|
|
|
Miller, Freddy & His Dance Magic |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15031 |
B |
I Can't Make You |
|
|
|
Miller, Freddy & His Dance Magic |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15032 |
A |
Don't Bring Me Posies |
|
I |
|
Sister Slocum & Her Little Brother |
|
|
1949 |
|
New York City |
05.12.1949 |
|
K-6112 |
|
|
|
|
|
Vogue V 3087 |
Musik: Rose, Fred/Text: Jennings, Clarence/McCabe, Billy |
|
|
|
KL_1 |
0181 |
|
King 15032 |
B |
Whistlin' Boogie |
|
I |
|
Sister Slocum & Her Little Brother |
|
|
1949 |
|
New York City |
05.12.1949 |
|
K-6114 |
|
|
|
|
|
Vogue V 3018 |
Musik: Wright, George/Text: Bernard, Henry |
|
|
|
KL_1 |
0181 |
|
King 15033 |
A |
Regular Gal |
|
|
|
Wright, Ruby |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15034 |
|
You're Just A Little Different |
|
|
|
Miller, Freddy |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15034 |
A |
It Isn't Fair |
|
|
|
Miller, Freddy |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15034 |
B |
Diff'rent |
|
|
|
Miller, Freddy |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15035 |
|
Dixie |
|
|
|
Long, Johnny & His Orchestra |
|
|
1949 |
|
Cincinnati |
07.08.1949 |
|
K6061 |
|
|
|
|
|
|
|
|
|
|
KL_1 |
0179 |
|
King 15035 |
A |
Silver Dollar |
➧ |
|
|
Long, Johnny & His Orchestra |
|
|
1950 |
2:18 |
|
|
|
K-6086=ANM |
|
|
|
|
|
King 1472 |
Musik: Palmer, Jack/Text: Ness, Clark van |
|
|
|
The Online Discographical Project |
|
|
King 15036 |
A |
Milt's Kilts Boogie |
|
|
|
Delugg, Milton |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15036 |
B |
Roller Coaster |
|
|
|
Delugg, Milton |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15037 |
|
Zone Twenty Eight |
|
|
|
Delugg, Milton |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15037 |
|
Hoop De Doo |
|
|
|
Delugg, Milton |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15037 |
A |
Hoop-de-doo Polka |
|
|
|
Delugg, Milton |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15037 |
B |
Zone Twenty-eight |
|
|
|
Delugg, Milton |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15038 |
|
Under The Bamboo Tree |
|
|
|
DeMarco Sisters, The |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15038 |
|
Time Did... |
|
|
|
DeMarco Sisters, The |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15038 |
A |
Time Didn't Change A Thing |
|
|
|
DeMarco Sisters, The |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15039 |
|
Take Me Out To The Ball Game |
|
|
|
Wright, George |
|
|
1950 |
|
|
|
|
K-6128=ANM |
|
|
|
|
|
|
Musik: Von Tilzer/Norworth |
|
|
|
Billboard Magazine |
|
|
King 15039 |
|
Easter Parade |
|
|
|
Wright, George |
|
|
1950 |
|
|
|
|
K-6127=ANM- |
|
|
|
|
|
|
Musik + Text: Berlin, Irving |
|
|
|
Billboard Magazine |
|
COVER. Original filtern. |
King 15040 |
A |
Chattahoochie Lullaby |
|
V |
|
Jubalaires, The |
|
|
1949 |
|
Los Angeles |
08.03.1949 |
|
K-5690 |
|
|
|
|
|
|
|
|
|
|
KL_1 |
0161 |
|
King 15040 |
B |
Twelve O'clock And All Is Well |
|
V |
|
Jubalaires, The |
|
|
1949 |
|
Los Angeles |
17.03.1949 |
|
K-5698 |
|
|
|
|
|
|
|
|
|
|
KL_1 |
0161 |
|
King 15041 |
A |
Red Hot Mama |
|
I |
|
Sister Slocum & Her Little Brother |
|
|
1949 |
|
New York City |
05.12.1949 |
|
K-6113 |
|
1120897 |
00003915803 |
|
|
Vogue V 3064 |
Musik + Text: Cooper, Bud/Rose, Fred/Wells, Gilbert |
|
|
|
KL_1 |
0181 |
COVER. Original filtern. |
King 15041 |
B |
Blues For The Whistler |
|
I |
|
Sister Slocum & Her Little Brother |
|
|
1949 |
|
New York City |
05.12.1949 |
|
K-6115 |
|
|
|
|
|
Vogue V 3028 |
Musik: Wright, George/Text: Bernard, Henry |
|
|
|
KL_1 |
0181 |
|
King 15042 |
A |
Bloodshot Eyes |
|
|
|
Brooks, Joan |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15042 |
B |
Don't Take Your Love From Me |
|
|
|
Brooks, Joan |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15043 |
A |
Tell Me That You Love Me Tonight |
|
|
|
Miller, Freddy |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15043 |
B |
I Used To Love You But It's All Over Now |
|
|
|
Miller, Freddy |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15044 |
|
In The Evening By The Moonlight |
|
|
|
Long, Johnny |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15044 |
A |
Calico Ball |
|
|
|
Long, Johnny |
|
|
1950 |
|
|
|
|
K-6136=2-AN |
|
|
|
|
|
|
Musik: Trix/Twomey |
|
|
|
Billboard Magazine |
|
|
King 15045 |
|
Forget Me Not |
|
|
|
Grant, Al |
|
|
1950 |
|
|
|
|
K-6022=2ANM |
|
|
|
|
|
|
Musik + Text: Bergman/Grogan |
|
|
|
Billboard Magazine |
|
|
King 15045 |
A |
You're The Sweetest Thing |
|
|
|
Grant, Al |
|
|
1950 |
|
|
|
|
K-6047=2-AN |
|
|
|
|
|
|
Musik: Carlson/Reid/Welsh |
|
|
|
Billboard Magazine |
|
|
King 15046 |
A |
Makin' Whoopee |
|
|
|
Wright, George |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15046 |
B |
Jeanine I Dream Of Lilac Time |
|
|
|
Wright, George |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15047 |
|
Don't Blame Me |
|
|
|
Miller, Freddie |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15047 |
|
A Pretty Girl Is Like A Melody |
|
|
|
Miller, Freddie |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15047 |
A |
Don't Blame My Heart |
|
|
|
Miller, Freddy |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15048 |
|
Marimba |
|
|
|
Delugg, Milton |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15048 |
|
Someday When My Dreams Come True |
|
|
|
Delugg, Milton |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15048 |
B |
Some Day When Dreams Come True |
|
|
|
Delugg, Milton |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15049 |
|
Voodoo Jungle |
|
|
|
Delugg, Milton |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15049 |
|
Come To Vienna |
|
|
|
Delugg, Milton |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15049 |
B |
Voodoo Jungle Drums |
|
|
|
Delugg, Milton |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15050 |
A |
Charleston |
|
V |
|
Sister Slocum & Her Little Brother |
|
|
1950 |
|
New York City |
27.04.1950 |
10.06.1950 |
K-6143 |
|
|
|
|
|
Vogue V 3064 |
|
|
Gesang: „Dike Brothers“. |
|
KL_1 |
0183 |
|
King 15050 |
B |
Varsity Drag |
|
I |
|
Sister Slocum & Her Little Brother |
|
|
1950 |
|
New York City |
27.04.1950 |
10.06.1950 |
K-6144 |
|
837754 |
00005876870 |
|
|
Vogue V 3087 |
Musik + Text: Brown, Lew/DeSylva, Buddy/Henderson, Ray |
|
|
|
KL_1 |
0183 |
COVER. Original filtern. |
King 15051 |
|
Shorty's Got To Go |
|
|
|
Long, Johnny |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15051 |
|
Hello |
|
|
|
Long, Johnny |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
Musik: Kaye/Garson, E./Text: Garson, M. |
|
|
|
The Online Discographical Project |
|
|
King 15052 |
|
Mister Honk |
|
|
|
Terry Shand's Orchestra |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15052 |
|
Dream Street |
|
|
|
Terry Shand's Orchestra |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15052 |
B |
Mister Honky-tonk |
|
|
|
Shand, Terry |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15053 |
|
Sam The Accordion Man |
|
|
|
Wright, Ruby |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15053 |
|
Object Of My Affection, The |
|
|
|
Wright, Ruby |
|
|
1951 |
|
|
|
|
|
|
848333 |
00003915803 |
|
|
|
Musik + Text: Grier, Jimmie/Poe, H. Coy/Tomlin, Pinky |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
King 15053 |
B |
Thanks For The Buggy Ride |
|
|
|
Wright, Ruby |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15054 |
|
How Long Will It Last |
|
|
|
Miller, Freddy |
|
|
1950 |
|
|
|
|
K-6154=3-AN |
|
|
|
|
|
|
Musik: Lief/Meyer |
|
|
|
Billboard Magazine |
|
|
King 15054 |
A |
Knock On Wood |
|
|
|
Barry Sisters-fred Miller Musi |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
Musik: Berman/Miller/Ostrow |
|
|
|
The Online Discographical Project |
|
|
King 15055 |
A |
Baa Baa To You |
|
V |
|
Marshall, Jack |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15055 |
B |
Laddle, Laddle, Laddle On A Lollipop |
|
V |
|
Marshall, Jack |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15056 |
A |
We're Going To See A Man |
|
V |
|
Marshall, Jack |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15056 |
B |
O'farrell, Jones And Hyde |
|
V |
|
Marshall, Jack |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15057 |
A |
Our Lady Of Fatima |
|
|
|
Frieling Sisters, The |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15058 |
A |
Our Serenade |
|
|
|
Gallagher, Frank |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15058 |
B |
Don't Tread On The Tail Of Me Coat |
|
|
|
Gallagher, Frank |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15059 |
|
Walking Hound |
|
|
|
Vincent, Bob |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15059 |
|
I Miss You So |
|
|
|
Vincent, Bob |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15060 |
A |
Just Friends |
|
|
|
Long, Johnny & His Orchestra feat. Beachcombers, The |
|
|
1949 |
2:49 |
Cincinnati |
07.08.1949 |
|
K6062 |
|
587907 |
00070155110 |
|
|
|
Musik: Klenner, John/Text: Lewis, Sam M. |
|
|
|
KL_1 |
0179 |
COVER. Original filtern. |
King 15060 |
B |
B-I-Ee-I-Ee |
|
|
|
Long, Johnny & His Orchestra feat. Barrett, Peggy & Glee Club |
|
|
1950 |
2:52 |
|
|
|
6148 |
|
|
|
|
|
|
Musik: Murphy, Sue/Text: Murphy, Johnny |
|
|
|
Global Dog Prod. |
000K |
|
King 15061 |
A |
Oceana Roll |
|
|
|
Brace, Janet |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15061 |
B |
An Oranged Colored Sky |
|
|
|
Brace, Janet |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15061 |
B |
Orange Colored Sky |
|
|
|
Brace, Janet |
|
|
1950 |
2:57 |
|
11.07.1950 |
|
|
|
1077185 |
00061094890 |
| YouTube |
|
Musik + Text: DeLugg, Milton/Stein, Willie |
|
|
|
Global Dog Prod. |
|
ORIGINAL. Cover filtern. |
King 15062 |
A |
I've Got A Feelin' You're Foolin' |
|
|
|
Wright, Ruby |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15062 |
B |
Pony Boy |
|
|
|
Wright, Ruby |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15063 |
A |
Knockin' On The Door Of Love |
|
|
|
Sister Slocum & Her Little Brother |
|
|
1950 |
|
New York City |
18.07.1950 |
|
K-6175 |
|
|
|
|
|
|
|
|
|
|
KL_1 |
0184 |
|
King 15063 |
B |
Tip Toe Thru The Tulips |
|
I |
|
Sister Slocum & Her Little Brother |
|
|
1950 |
|
New York City |
27.04.1950 |
|
K-6146 |
|
393669 |
00058855632 |
|
|
Vogue V 3117 |
Musik: Burke, Joseph/Text: Dubin, Al |
|
|
|
KL_1 |
0183 |
COVER. Original filtern. |
King 15064 |
|
I Wouldn't Touch You With A Ten Foot Pole |
|
|
|
Shand, Tommy |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15064 |
|
Dust Off The Old Piano Rolls |
|
|
|
Vi Ott |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15065 |
A |
Tenderly |
|
|
|
Wright, George |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15065 |
B |
Times Square Boogie |
|
|
|
Wright, George |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15066 |
|
Altoona |
|
|
|
Vincent, Bob |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15066 |
|
I Only Want You To Love Me |
|
|
|
Vincent, Bob |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15067 |
|
Now You're In My Arms |
|
|
|
Gallagher, Frank |
|
|
1950 |
|
|
|
|
K-6167=2-TS |
|
|
|
|
|
|
Musik: Downey, Morton/Text: Wrubel, Allie |
|
|
|
Billboard Magazine |
|
COVER. Original filtern. |
King 15067 |
|
Santa From Santa Fe |
|
|
|
Gallagher, Frank |
|
|
1950 |
|
|
|
|
K-6168=2TS |
|
|
|
|
|
|
Musik: Stillman/Stein/Delugg |
|
|
|
Billboard Magazine |
|
|
King 15068 |
A |
Lover Come Back To Me |
|
|
|
Long, Johnny & His Orchestra |
|
|
1949 |
|
Cincinnati |
07.08.1949 |
|
K6060 |
|
|
|
|
|
|
|
|
|
|
KL_1 |
0179 |
|
King 15068 |
B |
Don't Whistle Till You See The Blue Of Her Eyes |
|
|
|
Long, Johnny & His Orchestra |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15069 |
A |
How Did I Get This Way |
|
|
|
Miller, Freddy |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15069 |
B |
Knick Knack Man, The |
|
|
|
Miller, Freddy |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15070 |
|
Roses Will Remember, The |
|
V |
|
Iona, Andy & His Islanders |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15070 |
|
Five Hula Leis |
|
V |
|
Iona, Andy & His Islanders |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15070 |
A |
Five Hula Lessons, The |
|
|
|
Iona, Andy |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15071 |
A |
Anyone Can Fall in Love |
|
|
|
Clyde Trask |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15071 |
B |
I Know It's Love |
|
|
|
Clyde Trask |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15072 |
A |
Strangers |
|
V |
|
Clooney, Bettie |
|
|
1950 |
3:07 |
Cincinnati |
|
|
K6202 |
|
427211 |
00041694776 |
|
|
|
Musik + Text: Davies, Dave |
|
|
|
KL_1 |
0185 |
COVER. Original filtern. |
King 15072 |
B |
When You Love (You Should Love From The Heart) |
|
V |
|
Clooney, Bettie |
|
|
1950 |
2:58 |
Cincinnati |
|
|
K6203 |
|
|
|
|
|
|
Musik + Text: Butler, Cliff/Glover, Henry Bernard/Nathan, Sydney |
|
|
|
KL_1 |
0185 |
|
King 15073 |
A |
Music-southern Style |
|
|
|
Pee Wee Erwin |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15073 |
B |
Eccentric |
|
|
|
Pee Wee Erwin |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15074 |
A |
Mashuga Over You |
|
|
|
Pee Wee Erwin |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15074 |
B |
Shake It And Break It |
|
|
|
Pee Wee Erwin |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15075 |
|
Tin Roof Blues |
|
|
|
Peewee Herman Village 5 |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
Musik: Melrose/Rappolo/Mares/Text: Pollack, Ben/Brunis, Georg |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
King 15075 |
|
When The Saints Go Marching In |
|
I |
|
Peewee Herman Village 5 |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15076 |
A |
Tiger Rag |
|
|
|
Pee Wee Erwin |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15076 |
B |
Wolverine Blues |
|
|
|
Pee Wee Erwin |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15077 |
A |
Stella By Starlight |
|
|
|
Wright, George |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15077 |
B |
Love For Sale |
|
|
|
Wright, George |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15078 |
A |
Satan Is Waiting |
|
|
|
Brace, Janet |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15078 |
B |
Why Do You Do What You Do |
|
|
|
Brace, Janet |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15079 |
A |
Are You Havin' Any Fun |
|
|
|
Miller, Freddy |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15079 |
B |
Take Me In Your Arms |
|
|
|
Miller, Freddy |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15080 |
|
Where Is That Certain Someone |
|
|
|
Clyde Trask |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15080 |
A |
This Is Our Night |
|
V |
|
Clooney, Bettie |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15080 |
B |
Once You Find Your Guy |
|
|
|
Long, Johnny |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15081 |
|
I Don't Care |
|
|
|
Long, Johnny & His Orchestra |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15081 |
|
Onee You Find Your Guy |
|
|
|
Long, Johnny & His Orchestra |
|
|
1950 |
|
Cincinnati |
17.07.1950 |
|
K-6186 |
|
|
|
|
|
|
|
|
|
|
KL_1 |
0185 |
|
King 15082 |
A |
When You And I Were Young Maggie |
|
|
|
Slocum Brothers, The |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15082 |
B |
Nagasaki |
|
I |
|
Sister Slocum & Her Little Brother |
|
|
1950 |
|
New York City |
27.04.1950 |
|
K-6145 |
|
|
|
|
|
|
|
|
|
|
KL_1 |
0183 |
|
King 15083 |
A |
Canasta |
|
|
|
Carroll & Gorman |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15083 |
B |
Little Hotel Down The Street, The |
|
|
|
Carroll & Gorman |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15084 |
A |
Far Rock Away |
|
|
|
Carroll & Gorman |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15084 |
B |
Bassett Family Overhead |
|
|
|
Carroll & Gorman |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15085 |
A |
Los Angeles |
|
|
|
Carroll & Gorman |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15085 |
B |
First Time In Miami |
|
|
|
Carroll & Gorman |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15086 |
A |
Hawaiian Interlude |
|
|
|
Iona, Andy |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15086 |
B |
I Lost My Irish Heart (in Hawaii) |
|
|
|
Iona, Andy |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15087 |
A |
I've Never Been In Love Before |
|
|
|
Haymes, Bob |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15087 |
B |
She's Just The Girl I Love |
|
|
|
Haymes, Bob |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15088 |
A |
Could Be |
|
|
|
Haymes, Bob |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15088 |
B |
Don't Ever Leave Me |
|
|
|
Haymes, Bob |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15089 |
|
Thinking Of You |
|
|
|
Phelan, Margaret |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15089 |
A |
Half As Much Flirtin' |
|
|
|
Phelan, Margaret |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15090 |
A |
From This Moment On |
|
|
|
Williams, Gene & His Orchestra |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15090 |
A |
Margot |
|
|
|
Williams, Gene & His Orchestra |
|
|
1950 |
|
|
|
|
K-6242=1TS-V |
|
|
|
|
|
|
Musik: Carter/Webb |
|
(theme Song From Where Danger Lives) |
|
Billboard Magazine |
|
|
King 15091 |
A |
Sea Rovin' Cowboy |
|
|
|
Shand, Terry |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15091 |
B |
Walking On The Green Grass |
|
|
|
Shand, Terry |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15092 |
A |
Any Time Is Sweetheart Time |
|
|
|
Long, Johnny & His Orchestra |
|
|
1949 |
|
|
|
|
K-6042 |
|
|
|
|
|
|
|
|
|
|
KL_1 |
0179 |
|
King 15092 |
B |
Who-Zits From Massachusetts |
|
|
|
Long, Johnny & His Orchestra |
|
|
1950 |
|
Cincinnati |
17.07.1950 |
|
K-6185 |
|
|
|
|
|
|
|
|
|
|
KL_1 |
0185 |
|
King 15093 |
A |
A Crazy Afternoon |
|
|
|
Wright, Ruby |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15093 |
B |
If You Want Some Lovin' |
|
|
|
Wright, Ruby |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15094 |
A |
Always |
|
|
|
Wright, George |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15094 |
B |
Begin The Beguine |
|
|
|
Wright, George |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15095 |
A |
Body And Soul |
|
|
|
Wright, George |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15095 |
B |
Night And Day |
|
|
|
Wright, George |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15096 |
A |
Smoke Gets In Your Eyes |
|
|
|
Wright, George |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15096 |
B |
Stardust |
|
|
|
Wright, George |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15097 |
A |
Spotty The Lonesome Pup |
|
|
|
Clark, Lon |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15097 |
B |
Spotty The Lonesome Pup-Part 4 |
|
|
|
Clark, Lon |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15098 |
B |
Spotty The Lonesome Pup-Part 3 |
|
|
|
Clark, Lon |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15098 |
B |
Spotty The Lonesome Pup (Part 2) |
|
|
|
Clark, Lon |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15099 |
A |
Kinda Sorta Miss You |
|
|
|
Phelan, Margaret |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15099 |
B |
Puddin' Head Jones |
|
|
|
Phelan, Margaret |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15100 |
A |
But Does That Make You Mine |
|
|
|
Williams, Gene |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15100 |
B |
Clouds |
|
|
|
Williams, Gene |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15101 |
A |
Puppy For Sale |
|
|
|
October, Elmer |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15101 |
B |
I Want A Little Wabbit (the Wabbit Song) |
|
|
|
October, Elmer |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15102 |
A |
Faithful |
|
V |
|
Clooney, Bettie |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15102 |
B |
Would I Love You (Love You, Love You) |
|
V |
|
Clooney, Bettie |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15103 |
A |
Alone |
|
V |
|
Clooney, Bettie |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15103 |
B |
I Haven't Seen You In A Month Of Sundays |
|
V |
|
Clooney, Bettie |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15104 |
A |
Nothin' Else Will Do |
|
|
|
Long, Johnny |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15104 |
B |
Sociability |
|
|
|
Long, Johnny & His Orchestra |
|
|
1950 |
|
Cincinnati |
17.07.1950 |
|
K-6184 |
|
|
|
|
|
|
|
|
|
|
KL_1 |
0185 |
|
King 15105 |
A |
Bounce The Berry |
|
|
|
Shand, Terry |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15105 |
B |
(i Fell In Love The Night I Wore) My First Long Pants |
|
|
|
Shand, Terry |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15106 |
A |
Pigtails On Parade |
|
|
|
Wright, Ruby |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15106 |
B |
Waltz Of The Wind |
|
|
|
Wright, Ruby |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15107 |
A |
Pretty-Eyed Baby |
|
|
|
Williams, Gene |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15107 |
B |
Hour Of Parting |
|
|
|
Williams, Gene |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15108 |
A |
Now I Lay Me Down To Dream |
|
|
|
Williams, Gene |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15108 |
B |
I've Got That Lonesome Feeling (for That Old Sweetheart Of Mine) |
|
|
|
Williams, Gene |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15109 |
|
Nobody's Sweetheart |
|
|
|
Long, Johnny & His Orchestra |
|
|
1951 |
|
Cincinnati |
|
|
K-6267 |
|
|
|
|
|
|
|
|
|
|
KL_1 |
0188 |
|
King 15109 |
B |
Night Was Made For Love, The |
|
|
|
Long, Johnny & His Orchestra |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15110 |
A |
Give Me This Night |
|
|
|
Vincent, Bob |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15110 |
B |
No One Else Could Be |
|
|
|
Vincent, Bob |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15111 |
A |
Good Lookin' |
|
V |
|
Clooney, Bettie |
|
|
1951 |
|
Cincinnati |
|
|
K6205 |
|
|
|
|
|
|
|
|
|
|
KL_1 |
0185 |
|
King 15111 |
B |
Trust In Me |
|
V |
|
Clooney, Bettie |
|
|
1951 |
|
Cincinnati |
|
|
K6204 |
|
1212299 |
00000240075 |
|
|
|
Musik: Ager, Milton/Schwartz, Jean/Text: Wever, Ned |
|
|
|
KL_1 |
0185 |
COVER. Original filtern. |
King 15112 |
A |
Keep Your Skirts Down Mary Ann |
|
|
|
Long, Johnny & His Orchestra |
|
|
1951 |
|
Cincinnati |
|
|
K-6265 |
|
|
|
|
|
|
|
|
|
|
KL_1 |
0188 |
|
King 15112 |
B |
Our Love Affair |
|
|
|
Long, Johnny & His Orchestra |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15113 |
|
You Don't Know What You're Doing |
|
|
|
Wright, Ruby |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15113 |
|
What Do You Want To Make Those Eyes At Me For |
|
|
|
Wright, Ruby |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15113 |
B |
You Don't Know What You're Getting (but You Know What You've Got) |
|
|
|
Wright, Ruby |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15114 |
|
Now And Forever |
|
|
|
Cordovan, C. |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15114 |
B |
Yes, Yes, Yes |
|
|
|
Fotine, Larry |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15115 |
A |
Quick |
|
|
|
Lawrence, Elliot & His Orchestra feat. Patton, Rosalind |
|
|
1951 |
|
New York City |
21.08.1951 |
|
K-8042 |
|
|
|
|
|
Vogue V 9024 |
|
|
|
Bernie Glow, Nick Travis, Neal Hefti(tp)Ollie Wilson(Earl Swope, Bart Varsalona(tb),Tony Miranda (frh), Joe Soldo,Mike Goldberg(as), Phil Urso, Zoot Sims(ts), Sid Brown(bs), Elliott Lawrence(p), Mert Oli~er(b) |
KL_1 |
0197 |
|
King 15115 |
B |
Sixty Minute Man |
|
|
|
Lawrence, Elliot & His Orchestra feat. Moore, Melvin |
|
|
1951 |
|
New York City |
21.08.1951 |
|
K-8041 |
|
|
|
|
|
Vogue V 9024 |
|
|
|
Bernie Glow, Nick Travis, Neal Hefti(tp)Ollie Wilson(Earl Swope, Bart Varsalona(tb),Tony Miranda (frh), Joe Soldo,Mike Goldberg(as), Phil Urso, Zoot Sims(ts), Sid Brown(bs), Elliott Lawrence(p), Mert Oli~er(b) |
KL_1 |
0197 |
|
King 15116 |
A |
Down Where The Rainbow Ends |
|
|
|
Mann, Bernie |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15116 |
B |
Surprise Surprise Surprise |
|
|
|
Mann, Bernie |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15117 |
A |
I Idolize My Baby's Eyes |
|
|
|
Long, Johnny & His Orchestra |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15117 |
B |
Shut The Door |
|
|
|
Long, Johnny & His Orchestra |
|
|
1951 |
|
Cincinnati |
|
|
K-6266 |
|
|
|
|
|
|
|
|
|
|
KL_1 |
0188 |
|
King 15118 |
A |
Whistle While You Work |
|
|
|
Smith, Eddie |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15118 |
B |
Music, Music, Music |
|
|
|
Smith, Eddie |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15119 |
A |
Tea For Two |
|
|
|
Smith, Eddie |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15119 |
B |
Jealous |
|
|
|
Smith, Eddie |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15120 |
A |
Anchors Aweigh |
|
|
|
Smith, Eddie |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15120 |
B |
Maine's Hymn |
|
|
|
Smith, Eddie |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15121 |
A |
Sidewalks Of New York |
|
|
|
Smith, Eddie |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15121 |
B |
Sweet Bunch Of Desires |
|
|
|
Smith, Eddie |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15122 |
A |
Goodbye Song, The |
|
|
|
Phelan, Margaret |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15122 |
B |
Don't Try To Take It With You When You Go |
|
|
|
Phelan, Margaret |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15123 |
A |
I Want A Man |
|
|
|
Phelan, Margaret |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15123 |
B |
Hussy Song, The |
|
|
|
Phelan, Margaret |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15124 |
A |
It's Christmas |
|
|
|
Herb and George |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15124 |
B |
Enchantment |
|
|
|
Herb and George |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15125 |
A |
I've Got A Frame Within A Picture |
|
|
|
Al Grant and The Satisfiers Foursome |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15126 |
|
I'm Coming Home |
|
|
|
Stevens, Roy |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15126 |
|
Rollin' Stone |
|
|
|
Stevens, Roy |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15126 |
A |
I'm Comin' Home |
|
|
|
Roz Stevens and Orchestra |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15127 |
|
Christmas Eve In My Home Town |
|
|
|
Stevens, Roy |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15127 |
|
Once |
|
|
|
Stevens, Roy |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15127 |
A |
Christmas Eve In My Hometown |
|
|
|
Roz Stevens and Orchestra |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15128 |
A |
Undecided |
➧ |
V |
|
Small, Mary |
|
Mizzy, Vic & His Orchestra |
1951 |
3:01 |
|
|
|
|
|
798076 |
00343892540 |
|
|
|
Musik: Shavers, Charles/Text: Robins, Sid |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
King 15128 |
B |
If I Can Love You In The Morning |
➧ |
V |
|
Small, Mary |
|
Mizzy, Vic & His Orchestra |
1951 |
2:52 |
|
|
|
|
|
|
|
|
|
|
Musik + Text: Curtis, Manny/Mizzy, Vic |
|
|
|
The Online Discographical Project |
|
|
King 15129 |
A |
Domino |
➧ |
V |
|
Small, Mary |
|
Mizzy, Vic & His Orchestra |
1951 |
3:00 |
|
|
27.10.1951 |
K-8077=2 |
|
|
|
|
|
|
Musik: Ferrari/Raye |
|
|
|
45cat |
|
|
King 15129 |
B |
I Like It, I Like It |
➧ |
V |
|
Small, Mary |
|
Mizzy, Vic & His Orchestra |
1951 |
2:14 |
|
|
27.10.1951 |
K-8078=2 |
|
|
|
|
|
|
Musik + Text: Curtis, Manny/Mizzy, Vic |
|
|
|
45cat |
|
|
King 15130 |
A |
No Hard Feelings |
|
|
|
Fotine, Larry |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15130 |
B |
Sweet Bunch Of Daisies |
|
|
|
Fotine, Larry |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15131 |
A |
I'm On My Way |
|
|
|
Arnold, Murray |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15131 |
B |
I Talk To The Trees |
|
|
|
Arnold, Murray |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15132 |
|
Hi De Ank |
|
|
|
Arnold, Murray |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15132 |
|
I'm Heading Out West |
|
|
|
Arnold, Murray |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15132 |
B |
Hi-de-ank-tum |
|
|
|
Arnold, Murray |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15133 |
A |
My First And My Last Love |
|
|
|
Arnold, Murray |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15133 |
B |
Varsouiana |
|
|
|
Arnold, Murray |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15134 |
A |
Solitaire |
|
V |
|
Mann, Bernie & All American Band feat. Hughes, Tommy |
|
|
1951 |
|
|
15.10.1951 |
|
K-8097 |
|
515853 |
00036205509 |
|
|
|
Musik: Guion, King/Text: Borek, Renée/Nutter, Carl |
|
|
|
KL_1 |
0200 |
COVER. Original filtern. |
King 15134 |
B |
And So To Sleep Again |
|
V |
|
Mann, Bernie & All American Band |
|
Yankee Doodlers, The |
1951 |
|
|
15.10.1951 |
17.11.1951 |
K-8096 |
|
659897 |
00088033959 |
|
|
|
Musik + Text: Marsala, Joe/Skylar, Sunny |
|
Vokalist (Tonträgerangabe) im Datenfeld „Begleitung“. |
|
KL_1 |
0200 |
COVER. Original filtern. |
King 15135 |
|
Closer You Are, The |
|
|
|
Mann, Bernie & All American Band |
|
Hughes, Tommy |
1951 |
|
|
15.10.1951 |
17.11.1951 |
K-8099 |
|
3052195 |
00121332824 |
|
|
|
Musik: Styne, Jule/Text: Robin, Leo |
|
Vokalist (Tonträgerangabe) im Datenfeld „Begleitung“. |
|
KL_1 |
0200 |
|
King 15135 |
A |
Legend Of Tiabi, The |
|
V |
|
Mann, Bernie & All American Band |
|
Hughes, Tommy & Yankee Doodlers, The |
1951 |
|
|
15.10.1951 |
17.11.1951 |
K-8098 |
|
|
|
|
|
|
Musik + Text: Frisch/Twomey/Wise |
|
Vokalist (Tonträgerangabe) im Datenfeld „Begleitung“. |
|
KL_1 |
0200 |
|
King 15136 |
A |
Blue December |
|
|
|
Arnold, Murray |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15136 |
B |
It's All Over But The Memories |
|
|
|
Arnold, Murray |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15137 |
|
Lovin' Machine |
|
V |
|
Lawrence, Elliot & His Orchestra feat. Patton, Rosalind |
|
|
1951 |
2:34 |
New York City |
21.08.1951 |
|
K-8043=1 |
|
|
|
|
|
Vogue V 9032 |
Musik + Text: Merritt/Lambert, Dave/Mann, Lois |
|
|
Bernie Glow, Nick Travis, Neal Hefti(tp)Ollie Wilson(Earl Swope, Bart Varsalona(tb),Tony Miranda (frh), Joe Soldo,Mike Goldberg(as), Phil Urso, Zoot Sims(ts), Sid Brown(bs), Elliott Lawrence(p), Mert Oli~er(b) |
KL_1 |
0197 |
COVER. Original filtern. |
King 15137 |
A |
Don't Leave My Poor Heart Breaking |
|
V |
|
Lawrence, Elliot & His Orchestra feat. Copas, Lloyd & Patton, Rosalind |
|
|
1951 |
2:02 |
New York City |
21.08.1951 |
|
K-8040=1 |
|
|
|
| |
Vogue V 9032 |
Musik + Text: Kanter, Charles/Glover, Henry/Mann, Lois |
29.12.1951 |
|
Bernie Glow, Nick Travis, Neal Hefti(tp)Ollie Wilson(Earl Swope, Bart Varsalona(tb),Tony Miranda (frh), Joe Soldo,Mike Goldberg(as), Phil Urso, Zoot Sims(ts), Sid Brown(bs), Elliott Lawrence(p), Mert Oli~er(b) |
KL_1 |
0197 |
|
King 15138 |
A |
It's Been A Long, Long Time |
|
|
|
Vincent, Bob |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15138 |
B |
Took My Baby For A Buggy Ride |
|
|
|
Vincent, Bob |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15139 |
|
Let Me Call You Sweetheart |
|
|
|
Arnold, Murray |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15139 |
|
Chicago |
|
|
|
Arnold, Murray |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15140 |
A |
Rejoice |
|
|
|
King Karoleers, The |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15140 |
B |
Silent Night |
|
|
|
King Karoleers, The |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15141 |
A |
Hark The Herald Angels Sing |
|
|
|
King Karoleers, The |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15141 |
B |
O Little Town Of Bethlehem |
|
|
|
King Karoleers, The |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15142 |
|
Rosalie |
|
|
|
Arnold, Murray |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15142 |
|
Polly |
|
|
|
Arnold, Murray |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15142 |
A |
Folly |
|
|
|
Arnold, Murray |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15143 |
A |
God Rest Ye Merry Gentlemen |
|
|
|
King Karoleers, The |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15143 |
B |
It Came Upon The Midnight Clear |
|
|
|
King Karoleers, The |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15144 |
A |
Away In A Manger |
|
|
|
King Karoleers, The |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15144 |
B |
Good King Wencaslas |
|
|
|
King Karoleers, The |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15145 |
A |
Cry |
|
V |
|
Holmes, Alan & His Orchestra |
|
|
1951 |
|
New York City |
06.11.1951 |
01.12.1951 |
K-8104 |
|
1420226 |
00495559103 |
|
|
|
Musik + Text: Kohlman, Churchill |
|
|
|
KL_1 |
0200 |
COVER. Original filtern. |
King 15145 |
B |
Lay Something On The Bar |
|
|
|
Holmes, Alan & His Orchestra |
|
|
1951 |
|
New York City |
06.11.1951 |
01.12.1951 |
K-8103 |
|
|
|
|
|
|
Musik + Text: Austin, Billy/Smith, Sheldon |
|
|
|
KL_1 |
0200 |
|
King 15146 |
A |
I've Got Lonely Arms |
|
|
|
Holmes, Alan & His Orchestra |
|
|
1951 |
|
New York City |
06.11.1951 |
|
K-8100 |
|
|
|
|
|
|
|
|
|
|
KL_1 |
0200 |
|
King 15146 |
B |
I Ran All The Way Home |
|
|
|
Holmes, Alan & His Orchestra |
|
|
1951 |
|
New York City |
06.11.1951 |
|
K-8102 |
|
|
|
|
|
|
|
|
|
|
KL_1 |
0200 |
|
King 15147 |
A |
I Gotta Have Another Chance |
|
|
|
Holmes, Alan & His Orchestra |
|
|
1951 |
|
New York City |
06.11.1951 |
|
K-8101 |
|
|
|
|
|
|
|
|
|
|
KL_1 |
0200 |
|
King 15147 |
B |
These Things Shall Pass |
|
|
|
Holmes, Alan & His Orchestra |
|
|
1951 |
|
New York City |
06.11.1951 |
|
K-8105 |
|
|
|
|
|
|
|
|
|
|
KL_1 |
0200 |
|
King 15148 |
A |
Friendship Tree, The |
|
|
|
Frances Yeend |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15148 |
B |
White Magnolias |
|
|
|
Frances Yeend |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15149 |
A |
Prayers Of A Waiting World |
|
|
|
Frances Yeend |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15149 |
B |
Monastery Bells |
|
|
|
Frances Yeend |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15150 |
A |
All Over Again |
|
V |
|
Clooney, Bettie |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15150 |
B |
It's All In The Game |
|
V |
|
Clooney, Bettie |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15151 |
A |
I Wish I Had A Girl |
|
V |
|
Brown, Dick |
|
Lawrence, Elliot & His Orchestra |
1951 |
2:27 |
New York City |
08.11.1951 |
|
K-8108 |
|
3381454 |
00057355663 |
|
|
|
Musik: LeBoy, Grace/Text: Kahn, Gus |
|
Aus dem Film „I'll See You In My Dreams“. |
|
KL_1 |
0200 |
COVER. Original filtern. |
King 15151 |
B |
Shrimp Boats |
|
V |
|
Brown, Dick |
|
Lawrence, Elliot & His Orchestra |
1951 |
2:28 |
New York City |
08.11.1951 |
|
K-8108 |
|
|
|
|
|
|
Musik + Text: Howard/Weston |
|
|
|
KL_1 |
0200 |
|
King 15152 |
A |
Blue Moon |
|
|
|
Wright, George |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15152 |
B |
Espana Cani |
|
|
|
Wright, George |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15153 |
|
Tonight You Belong To Me |
|
|
|
Phillips, Teddy |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15153 |
|
Blue Smoke |
|
|
|
Phillips, Teddy |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15154 |
A |
You Have To Have Love |
|
|
|
Fotine, Larry |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15154 |
B |
So Right |
|
|
|
Fotine, Larry |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15155 |
A |
Til All The Stars Fall In The Ocean |
|
|
|
Fotine, Larry |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15155 |
B |
River In The Moonlight |
|
|
|
Fotine, Larry |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15156 |
|
Sunshine And Flowers |
|
|
|
Phillips, Teddy & His Orchestra |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15156 |
A |
Wishin' |
|
|
|
Phillips, Teddy & His Orchestra |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
Musik + Text: Watts/Trace/Simms |
08.03.1952 |
|
|
Global Dog Prod. |
|
|
King 15157 |
|
Romance Me |
➧ |
V |
|
Small, Mary |
|
|
1952 |
2:54 |
|
|
|
K-8155=2 |
|
|
|
|
|
|
Musik + Text: Curtis, Manny/Mizzy, Vic |
|
|
|
The Online Discographical Project |
|
|
King 15157 |
|
River Get A Rollin' |
➧ |
V |
|
Small, Mary |
|
|
1952 |
3:04 |
|
|
|
K-8157=2 |
|
|
|
|
|
|
Musik + Text: Curtis, Manny/Mizzy, Vic |
|
|
|
The Online Discographical Project |
|
|
King 15158 |
A |
King, The |
|
|
|
Sonny Calella |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15158 |
B |
Cindy Lou |
|
|
|
Sonny Calella |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15159 |
A |
I Hear A Rhapsody |
|
V |
|
Brown, Dick |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15159 |
B |
Unseen Rider, The |
|
V |
|
Brown, Dick |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15160 |
A |
Skipper, The |
|
|
|
Holmes, Alan & His Orchestra |
|
|
1952 |
|
New York City |
10.01.1952 |
|
K-8163 |
|
|
|
|
|
|
|
|
|
|
KL_1 |
0203 |
|
King 15160 |
B |
Lucky Silver Corn, The |
|
|
|
Holmes, Alan & His Orchestra |
|
|
1952 |
|
New York City |
10.01.1952 |
|
K-8162 |
|
|
|
|
|
|
|
|
|
|
KL_1 |
0203 |
|
King 15161 |
|
You're Not Worth My Tears |
|
|
|
Jack Richards & Marksmen |
|
|
1952 |
|
|
|
|
K-9105=1 |
|
|
|
|
|
|
Musik: Richards/Devino/Loder |
|
|
|
Billboard Magazine |
|
|
King 15161 |
|
There's A Blue Sky 'way Out Yonder |
|
|
|
Jack Richards-marksmen-ralph S |
|
|
1952 |
|
|
|
|
K-9104=2 |
|
|
|
|
|
|
Musik: Field/Hall/Van Cleve |
|
|
|
Billboard Magazine |
|
|
King 15161 |
A |
There's A Blue Sky Way Out Yonder |
|
|
|
Richards, Jack |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15162 |
A |
Deep Deep In The Cellar |
|
|
|
Phillips, Teddy |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15162 |
B |
I Am Sorry I Got In The Way |
|
|
|
Phillips, Teddy |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15163 |
A |
Didja Ever |
➧ |
V |
|
Small, Mary |
|
|
1952 |
2:23 |
|
|
19.04.1952 |
K-8154=1 |
|
|
|
|
|
|
Musik + Text: Curtis, Manny/Mizzy, Vic |
|
|
|
45cat |
|
|
King 15163 |
B |
A Beautiful Waste Of Time |
➧ |
V |
|
Small, Mary |
|
|
1952 |
2:41 |
|
|
19.04.1952 |
K-8156=1 |
|
|
|
|
|
|
Musik + Text: Curtis, Manny/Mizzy, Vic |
|
|
|
45cat |
|
|
King 15164 |
A |
Was I |
|
V |
|
Holmes, Alan & His Orchestra |
|
Vocal Refrain |
1952 |
2:10 |
New York City |
10.01.1952 |
|
K-8164 |
|
|
|
|
|
|
Musik: Endor/Text: Farrell |
|
|
|
KL_1 |
0203 |
|
King 15164 |
B |
Love For Sale |
|
V |
|
Holmes, Alan & His Orchestra |
|
Vocal Refrain |
1952 |
2:40 |
New York City |
10.01.1952 |
|
K-8165 |
|
|
|
|
|
|
Musik + Text: Porter, Cole |
|
|
|
KL_1 |
0203 |
COVER. Original filtern. |
King 15165 |
A |
Monsieur La Due |
|
|
|
Young, Cecil |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15165 |
B |
Tea For Two |
|
|
|
Young, Cecil |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15166 |
A |
Good-Bye Maria (I'm Off To Korea) |
|
V |
|
Holmes, Alan & His Orchestra |
|
Meehan, Don |
1952 |
|
New York City |
15.01.1952 |
23.02.1952 |
K-8166 |
|
|
|
|
|
|
Musik + Text: Larkin/O'Rourke/Simpson |
|
Vokalist (Tonträgerangabe) im Datenfeld „Begleitung“. |
|
KL_1 |
0203 |
|
King 15166 |
B |
That's When You Heartaches Begin |
|
V |
|
Holmes, Alan & His Orchestra |
|
Holmes, Alan |
1952 |
|
New York City |
15.01.1952 |
23.02.1952 |
K-8167 |
|
|
|
|
|
|
Musik + Text: Brown/Fisher/Raskin |
|
Vokalist (Tonträgerangabe) im Datenfeld „Begleitung“. |
|
KL_1 |
0203 |
|
King 15167 |
A |
Down Where The Wureberger Flows |
|
|
|
Holmes, Alan & His Orchestra |
|
Quartet, The Aeolian |
1952 |
2:17 |
New York City |
15.01.1952 |
|
K-8168 |
|
|
|
|
|
|
|
|
|
|
KL_1 |
0203 |
|
King 15167 |
B |
A Little Rain Must Fall |
|
V |
|
Holmes, Alan & His Orchestra |
|
Meehan, Don |
1952 |
3:10 |
New York City |
15.01.1952 |
|
K-8169 |
|
|
|
|
|
|
Musik: Tilzer, Al von/Text: Bryan |
|
Vokalist (Tonträgerangabe) im Datenfeld „Begleitung“. |
|
KL_1 |
0203 |
|
King 15168 |
|
Love Me A Little Bit Less |
|
V |
|
Armen, Kay |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15168 |
B |
I Can't Afford Another Broken Heart |
|
V |
|
Armen, Kay |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15169 |
A |
Jealous |
|
V |
|
Armen, Kay |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15169 |
B |
Mean To Me |
|
V |
|
Armen, Kay |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15170 |
A |
Love Me |
|
|
|
Phillips, Teddy |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15170 |
B |
Oo La La |
|
|
|
Phillips, Teddy |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15171 |
A |
You Don't Care |
|
|
|
Fotine, Larry |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15171 |
B |
Wonder |
|
|
|
Fotine, Larry |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15172 |
A |
Brazil |
|
|
|
Wright, George |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15172 |
B |
Honky Tonk Train Blues |
|
|
|
Wright, George |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15173 |
A |
Waitin' |
|
|
|
Mann, Bernie |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15173 |
B |
Ecstasy |
|
|
|
Mann, Bernie |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15174 |
A |
Night And Day |
|
|
|
Young, Cecil (Quartet) |
|
|
1952 |
|
|
|
|
|
|
729829 |
00058855632 |
|
|
|
Musik + Text: Porter, Cole |
|
|
|
www.ebay.de |
|
COVER. Original filtern. |
King 15174 |
B |
Fascinating Rhythm |
|
|
|
Young, Cecil (Quartet) |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
Musik + Text: Gershwin, George/Gershwin, Ira |
|
|
|
www.ebay.de |
|
COVER. Original filtern. |
King 15175 |
A |
Rushin' On Home |
|
|
|
Young, Cecil |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15175 |
B |
Race Horse |
|
|
|
Young, Cecil |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15176 |
|
Some Little Someone |
|
|
|
Long, Johnny & His Orchestra |
|
|
1950 |
|
Cincinnati |
17.07.1950 |
|
K-6187 |
|
|
|
|
|
|
|
|
|
|
KL_1 |
0185 |
|
King 15178 |
A |
I Tin Whistle At You |
➧ |
V |
|
Page, Hot Lips & Hall, Randy & Tin Fluters, The |
|
|
1952 |
2:12 |
New York City |
21.03.1952 |
|
K-8186-1 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Vogue V3124“. Siehe auch: Bemerkung. |
|
|
|
|
Parlophone 3627 |
|
|
Gesang: „Page, Hot Lips“. |
|
KL_1 |
0204 |
|
King 15176 |
B |
Just Like That |
|
|
|
Long, Johnny & His Orchestra |
|
|
1951 |
|
Cincinnati |
07.05.1951 |
|
K-6264 |
|
|
|
|
|
|
|
|
|
|
KL_1 |
0188 |
|
King 15177 |
A |
You Can't Pick All The Roses |
|
|
|
Fotine, Larry |
|
|
1952 |
2:37 |
|
|
05/1952 |
|
|
|
|
|
|
|
Musik: Hayes, Slim |
|
The S-M-O-O-T-H Music Of |
|
45cat |
|
|
King 15177 |
B |
Stumblin' |
|
|
|
Fotine, Larry |
|
|
1952 |
2:30 |
|
|
05/1952 |
|
|
|
|
|
|
|
Musik + Text: Confrey, Zez |
|
The S-M-O-O-T-H Music Of |
|
45cat |
|
|
King 15178 |
A |
Tin Whistle Blues |
➧ |
V |
|
Page, Hot Lips & Hall, Randy & Tin Fluters, The |
|
|
1952 |
2:56 |
New York City |
21.03.1952 |
|
K-8186-1 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Vogue V3124“. Siehe auch: Bemerkung. |
|
|
|
|
Parlophone 3627 |
|
|
Gesang: „Page, Hot Lips“. |
|
KL_1 |
0204 |
|
King 15179 |
A |
Birth Of The Blues |
|
|
|
Wright, George |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15179 |
B |
Falling In Love With You |
|
|
|
Wright, George |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15180 |
A |
Relatives |
|
|
|
Phillips, Teddy |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15180 |
B |
That's My Prayer |
|
|
|
Phillips, Teddy |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15181 |
A |
Release Me |
|
V |
|
Lawrence, Elliot & His Orchestra feat. Robbins, Corky & Bosworth, Johnny |
|
|
1952 |
2:43 |
New York City |
08.04.1952 |
|
K-8205 |
|
|
|
|
|
|
Musik + Text: Corky, Robbins |
|
|
|
KL_1 |
0205 |
|
King 15181 |
B |
Let's Have A Little Wake Up Music |
|
I |
|
Lawrence, Elliot & His Orchestra |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15182 |
|
Gotta Go Weedin' |
|
V |
|
Brown, Dick |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15182 |
|
Whistle |
|
V |
|
Brown, Dick |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15182 |
A |
Whistle My Love |
|
V |
|
Brown, Dick |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15183 |
|
I'm Not Gonna Letcha In |
|
|
|
Phillips, Teddy |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15183 |
B |
Today, Tomorrow And Always |
|
|
|
Phillips, Teddy |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15184 |
A |
Long Dark Hallway |
|
V |
|
Lawrence, Elliot & His Orchestra feat. Patton, Rosalind |
|
|
1952 |
|
New York City |
08.04.1952 |
|
K-8206 |
|
|
|
|
|
Vogue V 2126 |
|
|
|
|
KL_1 |
0205 |
|
King 15184 |
B |
A Little Wake Up Music |
|
I |
|
Lawrence, Elliot & His Orchestra |
|
|
1952 |
|
New York City |
08.04.1952 |
|
K-8207 |
|
|
|
|
|
Vogue V 2126 |
|
|
|
|
KL_1 |
0205 |
|
King 15185 |
|
Never Leave Me |
|
V |
|
Lawrence, Steve |
|
Bergman, Dewey |
1952 |
2:56 |
|
|
|
K-8222=X1 |
|
|
|
|
|
|
Musik: Fryburg/Marcus/Care |
|
|
|
Discogs |
|
|
King 15185 |
|
Poinciana |
|
V |
|
Lawrence, Steve |
|
Dewey Bergman |
1952 |
2:56 |
|
|
|
K-8221=X-1 |
|
|
|
| 8110d719 |
King 15190 |
Musik: Simon, Nat/Text: Bernier, Buddy |
14.06.1952 |
|
|
Discogs |
|
COVER. Original filtern. |
King 15186 |
A |
Washing Machine Blues |
|
|
|
Liza Morgan |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15186 |
B |
Foolish Pride |
|
|
|
Liza Morgan |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15187 |
A |
Merry-Go-Round Broke Down, The |
➧ |
V |
|
Small, Mary |
|
|
1952 |
2:15 |
|
|
|
|
|
477065 |
00058855632 |
|
|
|
Musik + Text: Franklin, Dave/Friend, Cliff |
|
|
|
Global Dog Prod. |
|
COVER. Original filtern. |
King 15187 |
B |
You'd Think I Was In Love |
➧ |
V |
|
Small, Mary |
|
|
1952 |
3:02 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15188 |
|
Boomerang |
|
V |
|
Brown, Dick |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15188 |
|
A Letter From A Lady |
|
V |
|
Brown, Dick |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15189 |
|
Everything You Said Came True |
➧ |
V |
|
Small, Mary |
|
|
1952 |
3:00 |
|
|
|
K-8227=1 |
|
|
|
|
|
|
Musik + Text: Franklin, Dave/Friend, Cliff |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
King 15189 |
|
Immediately |
➧ |
V |
|
Small, Mary |
|
|
1952 |
2:17 |
|
|
|
K-8226=1 |
|
|
|
|
|
|
Musik + Text: Curtis, Manny/Mizzy, Vic |
|
|
|
The Online Discographical Project |
|
|
King 15190 |
|
Poinciana |
|
V |
|
Lawrence, Steve |
|
Dewey Bergman |
1952 |
2:56 |
|
|
|
K-8221=X-1 |
|
|
|
| 8110d719 |
King 15185 |
Musik: Simon, Nat/Text: Bernier, Buddy |
14.06.1952 |
|
|
Discogs |
|
COVER. Original filtern. |
King 15190 |
A |
All My Love Belongs To You |
|
V |
|
Lawrence, Steve |
|
|
1952 |
|
|
|
|
|
|
493434 |
00060852094 |
|
|
|
Musik + Text: Glover, Henry/Nix, Sally |
|
|
|
Global Dog Prod. |
|
COVER. Original filtern. |
King 15191 |
|
Foolish Pride |
|
|
|
Morrow, Liza |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15191 |
|
I Ain't Got Nobody |
|
|
|
Morrow, Liza |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15192 |
|
South Of The Border |
|
|
|
Young, Cecil (Quartet) |
|
|
1952 |
|
|
|
|
K-9127=1 |
|
583207 |
00074985037 |
|
|
|
Musik + Text: Carr, Michael/Kennedy, Jimmy |
|
|
|
Billboard Magazine |
|
COVER. Original filtern. |
King 15192 |
|
Fine And Dandy |
|
|
|
Young, Cecil (Quartet) |
|
|
50-55 |
|
|
|
|
K-9139=1 |
|
|
|
|
|
|
Musik: Swift, Kay/Text: James, Paul |
|
|
|
Billboard Magazine |
|
COVER. Original filtern. |
King 15193 |
A |
Fascinating Rhythm |
|
|
|
Hall, Freddy |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15193 |
B |
Puddin' Head Jones |
|
|
|
Hall, Freddy |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15194 |
|
Fountain Of Youth |
|
|
|
Keith, Billy |
|
|
1952 |
|
|
|
|
K-8242=C2 |
|
|
|
|
|
|
Musik: Gregg, Joseph |
|
|
|
The Online Discographical Project |
|
|
King 15194 |
|
High Noon (Do Not Forsake Me) |
|
|
|
Keith, Billy |
|
|
1952 |
|
|
|
|
K-8241=C1 |
|
|
|
|
|
|
Musik: Tiomkin, Dimitri/Text: Washington, Ned |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
King 15194 |
B |
Fountain Of Youth, The |
|
|
|
Keith, Bill |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15195 |
|
Cry Baby Boogie |
|
|
|
Baker Brothers |
|
|
1952 |
|
|
|
|
K-8243 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15195 |
|
This Time I'm Through |
|
|
|
Baker Brothers |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15196 |
|
Big Sky |
|
|
|
Goodrich, Royce |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15196 |
|
Show Is Over, The |
|
|
|
Goodrich, Royce |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15196 |
A |
Big Sky, The |
|
|
|
Goodrich, Roye |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15197 |
|
Jungle Drums |
|
|
|
J. lipman |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15197 |
B |
To You |
|
|
|
Goodrich, Roye |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15198 |
|
Casavova Cricket |
|
V |
|
Page, Hot Lips |
|
|
1952 |
|
|
|
|
K-8265=1 |
|
|
|
|
|
|
Musik: Carmichael/Markes/Charles |
|
|
|
The Online Discographical Project |
|
|
King 15198 |
|
Devil's Kiss, The |
|
V |
|
Page, Hot Lips |
|
|
1952 |
2:11 |
|
|
|
K-8263=X1 |
|
|
|
|
|
|
Musik: Kulma/Rein/Dash |
|
|
|
The Online Discographical Project |
|
|
King 15199 |
|
Always Love Me |
|
V |
|
Lawrence, Steve |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15199 |
|
Sudden Fear |
|
V |
|
Lawrence, Steve |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15200 |
A |
List'nin' To The Green Grass Grow |
|
V |
|
Holidays, The |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
Parlophone 3614 |
|
|
|
|
Global Dog Prod. |
|
|
King 15200 |
B |
You'll Never Get Away |
|
V |
|
Holidays, The |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
Parlophone 3614 |
|
|
|
|
Global Dog Prod. |
|
|
King 15201 |
|
Pelahdino |
|
|
|
Al Trace & His Orchestra |
|
|
1952 |
|
|
|
|
K-8275=2 |
|
|
|
|
|
|
Musik: Pernambuco/Zacarias |
|
|
|
The Online Discographical Project |
|
|
King 15201 |
|
Hopin' |
|
|
|
Al Trace & His Orchestra |
|
|
1952 |
|
|
|
|
K-8276=2 |
|
|
|
|
|
|
Musik: Trace/Trace |
|
|
|
The Online Discographical Project |
|
|
King 15201 |
A |
Delahdino |
|
|
|
Phillips, Teddy |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15202 |
A |
Happy Wedding Anniversary Polka |
|
V |
|
Holidays, The |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15202 |
B |
Happy Birthday Polka |
|
V |
|
Holidays, The |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15203 |
|
Over The Rainbow |
|
V |
|
Homer & Jethro |
|
|
1947 |
|
|
|
|
|
|
1347906 |
00009897247 |
|
|
|
Musik: Arlen, Harold/Text: Harburg, Edgar Yispel |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
King 15203 |
|
Glow Worm, The |
|
V |
|
Homer & Jethro |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15203 |
A |
Glow Worm |
|
V |
|
Homer & Jethro |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15204 |
|
Midnight in Paris |
|
|
|
Sutton, Danny |
|
|
1952 |
|
|
|
|
K-8281=2 |
|
|
|
|
|
|
Musik: Conrad/Magidson |
|
|
|
The Online Discographical Project |
|
|
King 15204 |
|
I Promise You |
|
|
|
Danny Sutton W Dewey Bergman |
|
|
1952 |
|
|
|
|
K-8280=1 |
|
|
|
|
|
|
Musik: Prince/Rogers/Osborne |
|
|
|
The Online Discographical Project |
|
|
King 15205 |
|
He's Such A Quiet Man |
|
|
|
Wright, Ruby |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15205 |
|
Honey Babe |
|
|
|
Wright, Ruby |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15205 |
A |
Honey Baby |
|
|
|
Wright, Ruby |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15206 |
|
Miracle Of Fatima |
|
|
|
Sutton, Danny |
|
|
1952 |
|
|
|
|
K-8299=1 |
|
|
|
|
|
|
Musik: Kresa/Grace |
|
|
|
The Online Discographical Project |
|
|
King 15206 |
|
Little Foundling |
|
|
|
Sutton, Danny |
|
|
1952 |
|
|
|
|
K-8300=1 |
|
|
|
|
|
|
Musik: Bergman/Rogers |
|
|
|
The Online Discographical Project |
|
|
King 15207 |
|
Chapel Of St. Claire |
|
|
|
Phillips, Teddy |
|
|
1952 |
|
|
|
|
K-8278=1 |
|
|
|
|
|
|
Musik: Phillips/Segal |
|
|
|
The Online Discographical Project |
|
|
King 15207 |
|
High On A Mountain |
|
|
|
Phillips, Teddy |
|
|
1952 |
|
|
|
|
K-8277=1 |
|
|
|
|
|
|
Musik: Osborne/Prince/Rogers |
|
|
|
The Online Discographical Project |
|
|
King 15208 |
|
Tango Of Roses (love Me) |
|
V |
|
Lawrence, Steve |
|
Bergman, Dewey |
1953 |
|
|
|
|
K-8268=1 |
|
|
|
|
|
|
Musik: Schreier/Bottero/Meyers |
|
|
|
The Online Discographical Project |
|
|
King 15208 |
|
How Many Stars Have To Shine |
|
V |
|
Lawrence, Steve |
|
Bergman, Dewey |
1953 |
|
|
|
|
K-8270=1 |
|
|
|
|
|
Parlophone 3654 |
|
17.01.1953 |
|
|
Joel Whitburn's Pop Memories 1890-1954 |
|
|
King 15208 |
B |
Tango |
|
V |
|
Lawrence, Steve |
|
|
1953 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15209 |
|
Wild Stories |
|
V |
|
Brown, Dick |
|
|
1953 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15209 |
A |
What I Don't Know Won't Hurt Me |
|
V |
|
Brown, Dick |
|
|
1953 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15209 |
B |
Weird Stories |
|
V |
|
Brown, Dick |
|
|
1953 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15210 |
|
Leave It Alone |
|
|
|
Wright, Ruby |
|
|
1953 |
|
|
|
|
|
|
|
|
|
|
Parlophone 3655 |
|
|
|
|
The Online Discographical Project |
|
|
King 15210 |
|
Hot Dog Rag |
|
|
|
Wright, Ruby |
|
|
1953 |
|
|
|
|
|
|
|
|
|
|
Parlophone 3655 |
|
|
|
|
The Online Discographical Project |
|
|
King 15211 |
A |
Scrooge |
|
|
|
Goodrich, Roye & The Holidays |
|
|
1953 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15211 |
B |
Home For The Holidays |
|
|
|
Goodrich, Roye & The Holidays |
|
|
1953 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15212 |
|
Mary, Mary |
|
|
|
Phillips, Teddy |
|
|
1953 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15212 |
|
Open House |
|
|
|
Phillips, Teddy |
|
|
1953 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15213 |
|
Oh! What A Foolin' |
|
|
|
Sutton, Danny |
|
|
1953 |
|
|
|
|
K-8283=1 |
|
|
|
|
|
|
Musik: Howard/Friend |
|
|
|
The Online Discographical Project |
|
|
King 15213 |
|
I Was Wrong |
|
|
|
Sutton, Danny |
|
|
1953 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15213 |
B |
Oh! What A Feelin' |
|
|
|
Danny Juston |
|
|
1953 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15214 |
|
When They Ask About You |
|
|
|
Morrow, Liza |
|
|
1953 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15214 |
B |
Mississippi Cake Walk |
|
|
|
Morrow, Liza |
|
|
1953 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15215 |
|
Five Wives |
|
V |
|
Brown, Dick |
|
|
1953 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15215 |
|
Ready, Willing And Able |
|
V |
|
Brown, Dick |
|
|
1953 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15216 |
A |
Thumbelina |
|
V |
|
Holidays, The |
|
|
1953 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15216 |
B |
Apron Strings |
|
V |
|
Holidays, The |
|
|
1953 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15217 |
A |
Satin Pillows |
|
|
|
Morrow, Liza |
|
|
1953 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15217 |
B |
Nothing To Sing The Blues About, The |
|
|
|
Morrow, Liza |
|
|
1953 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15218 |
|
If Not For You |
|
V |
|
Lawrence, Steve |
|
|
1953 |
|
|
|
|
K-8328=1 |
|
|
|
|
|
Parlophone 3680 |
Musik: Care/Marcus |
|
|
|
The Online Discographical Project |
|
|
King 15218 |
|
Tomorrow |
|
V |
|
Lawrence, Steve |
|
|
1953 |
|
|
|
|
K-8329=1 |
|
|
|
|
|
Parlophone 3680 |
Musik: Spitalny, H. Leopold/Wilhite, Monte/Text: Hirsch, Walter |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
King 15219 |
|
Waiting |
➧ |
|
|
Spivak, Charlie |
|
|
1953 |
2:54 |
|
|
|
K-8336=1 |
|
|
|
|
|
|
Musik: Wells, Richard |
|
|
|
The Online Discographical Project |
|
|
King 15219 |
|
Bloodshot Eyes |
➧ |
|
|
Spivak, Charlie |
|
|
1953 |
2:48 |
|
|
|
K-8335=1 |
|
519590 |
00125181500 |
|
|
|
Musik + Text: Hall, Ruth/Penny, Hank |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
King 15220 |
A |
San's A Liar |
|
|
|
Tully, Lee |
|
|
1953 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15220 |
B |
Takes Two To Tango |
|
|
|
Tully, Lee |
|
|
1953 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15221 |
|
Momma, Momma, Momma |
|
|
|
Phillips, Teddy |
|
|
1953 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15221 |
|
Old Red Barn, The |
|
|
|
Phillips, Teddy |
|
|
1953 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15221 |
B |
Moma, Moma, Moma |
|
|
|
Phillips, Teddy |
|
|
1953 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15222 |
|
Magdalena (This Night) |
|
|
|
Leslie Brothers |
|
|
1953 |
|
|
|
|
K-8323=1 |
|
|
|
|
|
|
Musik: Slylar/Macedo/Amorin |
|
|
|
The Online Discographical Project |
|
|
King 15222 |
|
Say It Isn't True |
|
|
|
Leslie Brothers |
|
|
1953 |
|
|
|
|
K-8324=1 |
|
|
|
|
|
|
Musik: Leigh/Leigh |
|
|
|
The Online Discographical Project |
|
|
King 15222 |
A |
Madalena |
|
|
|
Leslie Brothers, The |
|
|
1953 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15223 |
|
O sole mio |
➧ |
|
|
Spivak, Charlie |
|
|
1953 |
3:10 |
|
|
|
K-8342=1 |
|
353895 |
00547691219 |
|
|
|
Musik: Capua, Eduardo di/Mazzucchi, Alfredo/Text: Capurro, Giovanni |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
King 15223 |
|
Army's Always There, The |
➧ |
|
|
Spivak, Charlie |
|
|
1953 |
1:58 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
King 15224 |
A |
I Wish I Had A Sweetheart |
|
|
|
Bruno, Paul |
|
|
1953 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15224 |
B |
Don't Fall In Love With Anyone |
|
|
|
Bruno, Paul |
|
|
1953 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15225 |
A |
Red Lilacs |
➧ |
|
|
Spivak, Charlie |
|
|
1953 |
3:07 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
King 15225 |
B |
Sentimental Trumpet |
➧ |
|
|
Spivak, Charlie |
|
|
1953 |
3:00 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|